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Naked Ear

Introduction to Tools and Techniques for Sound Art

Description

This workshop is for artists and researchers wanting to become more familiar with the potential of sound. Our focus will be on expanding our understanding of sound in an environment. This requires a basic vocabulary for talking about sound as a material, as well as the ability to make and use tools for investigating and manipulating sound for creative purposes.

Our frame of reference will be Good Vibrations, a mobile listening kit that allows "acoustic explorers" to find the lesser audible soun= ds in their environment. By using hand- made microphones and amplifiers, listeners can tune into the subtle vibrations

that usually go unnoticed. The project encourages listeners to reimagine their sonic environment by playfully exploring the world through their ears.

The workshop will introduce participants to the world of sound art, while providing techniques for making tools for creating these experiences. This will include

the fabrication of hand-made microphones, speakers, and amplifiers for use in installations, performances, and scientific research. The goal of the workshop is

to take these tools into the field and use them for artistic investigation and public engagement.

Content

For the first session, students will be introduced to the sound art practice. Examples of seminal and canonical works will be presented, giving students a taste of potential projects. From there we will move onto describing the basic physics and properties of sound. Our introduction will end with an explanation of how sound is received through a microphone, amplified with an amplifier, and sent through a speaker to produce audible sound.

The rest of the workshop will consist of building a contact microphone, a speaker and an amplifier. From there we will take our tools out into nearby McCarren Park and amplify found sounds.

Outline

Session 1

Session 2

  • Hour 1:

  • Amplifier build on PCB

  • Hour 2:

  • Placing amplifier in enclosure

  • Hour 3:

  • Exploring McCarren Park with listening kits

  • Hour 4:

  • Presentation of experiments

Student Profile

Students do not need to have any electronic experience. Some soldering experience is a plus but is not required. An expertise knowledge of sound and how it works is also not required. A large part of the workshop is to teach that to you! A strong curiosity and willingness to learn about sound is the only basic requirement.

What students get from your profile; software, materials to work

  • One contact mic

  • One speaker

  • One amplifier

  • One custom enclosure with custom pcb

  • Reference material (excerpts from Electronic Music Handbook, David Dunn's microphone PDF etc.)

Pre requisites and preparation for the workshop

Things we will need in the studio for each student:

  • Soldering station

  • Solder

  • Multimeter

  • Wire

  • Jumper wires

Instructor short bio

Johann Diedrick makes installations, performances, and software that allow people to activly participate in the production of sound. His work has been exhibited internationally in numerous group exhibitions, conferences and festivals, including the New Interfaces for Musical Expression (NIME) conference in Daejeon and Seoul, Korea, the Invisible Places, Sounding Cities conference in Viseu, Portugal, and the Dumbo Arts Festival in Brooklyn, New York. He received his Masters in Professional Studies at the Interactive Telecommunications Program (ITP) at Tisch School of the Arts at New York University, focusing on sound art. During time at ITP he was a researcher at the InterLab at the Yamaguchi Center for Arts and Media (YCAM) in Yamaguchi, Japan. Afterwards he worked as an interactive software developer at Qosmo in Tokyo, Japan. He is currently a software developer at the Metropolitan Museum of Art.

Instructor Links, website, social media

Website: http://www.johanndiedrick.com

Github: @jdiedrick

Twitter: @jdiedrick

Instagram: @johanndiedrick

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