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dmach~-help.pd
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dmach~-help.pd
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#N canvas 103 332 573 397 10;
#X obj 194 182 click2bang~;
#X obj 194 205 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
-1 -1;
#X obj 24 253 *~ 0.05;
#X obj 24 282 dac~;
#X obj 24 85 r dmach-msgs;
#N canvas 476 235 592 383 operation 0;
#X obj 29 285 s dmach-msgs;
#X msg 69 40 arm 1;
#X msg 89 70 mute 0;
#X msg 28 15 show 1;
#X msg 115 149 tempo \$1;
#X floatatom 115 128 5 0 0 0 - - -, f 5;
#X msg 115 106 60;
#X msg 155 105 134;
#X text 171 130 change the tempo;
#X text 114 39 prepare to play ptn 1;
#X text 137 67 now play it;
#X text 78 18 show sequence data;
#X msg 105 257 instant_recall \$1;
#X obj 106 233 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
1;
#X text 125 206 by default patterns are recalled in rhythm at the end
of the last pattern. Setting instant_recall to 1 means you can instantly
loop or play a sequence.;
#X connect 1 0 0 0;
#X connect 2 0 0 0;
#X connect 3 0 0 0;
#X connect 4 0 0 0;
#X connect 5 0 4 0;
#X connect 6 0 5 0;
#X connect 7 0 5 0;
#X connect 12 0 0 0;
#X connect 13 0 12 0;
#X restore 386 153 pd operation;
#X obj 66 234 hsl 60 12 0 0.25 0 0 empty empty gain -2 -8 1 12 -228928
-1 -1 0 1;
#X obj 144 259 s bassgain;
#X obj 277 182 s raw-dmach-data;
#N canvas 569 435 578 329 saved-patterns 0;
#X obj 63 37 r raw-dmach-data;
#X msg 130 105 listraw;
#X obj 131 141 s dmach-msgs;
#N canvas 0 22 466 316 saved 0;
#X msg 10 54 readraw 0 4 0 4 1 1 0 1 0.8 1.49998 1 1 1.99997 1 0.8
3.49995 1 7 1 1 0 0.7 1 0.499993 1 0.8333 0.999986 1 1.111 1.74995
1 1.111 2.49997 1 1.333 2.99996 0.666 1.653 3.49995 2 9 1 1 0.499993
0.7 1 0.749964 1 1 1.49998 0.7 1 1.74995 1 1 2.49997 0.7 1 2.74999
0.5 1 3.24998 1 1 3.49995 0.7 1 3.74997 3 2 1 1 0.999986 1 1 2.99996
5 4 1 1.05 0 1 1.05 0.999986 1 1 1.99997 1 0.9 2.99996;
#X obj 10 148 s dmach-msgs;
#X connect 0 0 1 0;
#X restore 356 50 pd saved;
#X obj 63 72 print;
#X text 196 107 report current pattern to list outlet;
#X text 67 208 The resulting readraw message will load the entire pattern.
if you have a prepend you could send this data directly into a list.
Otherwise cut and paste from the Pd window.;
#X connect 0 0 4 0;
#X connect 1 0 2 0;
#X restore 386 207 pd saved-patterns;
#X obj 147 234 hsl 64 12 0 2 0 0 empty s_bassgain empty -2 -8 0 10
-261756 -1 -1 3150 1;
#X obj 24 112 dmach~ 134 9, f 35;
#N canvas 16 184 1268 473 playback 0;
#X obj 9 52 inlet~;
#X obj 75 52 inlet~;
#X obj 143 52 inlet~;
#X obj 209 52 inlet~;
#X obj 273 52 inlet~;
#X obj 339 52 inlet~;
#X obj 404 52 inlet~;
#X obj 470 52 inlet~;
#X obj 537 52 inlet~;
#X obj 603 52 inlet~;
#X obj 10 122 player~ dmach1;
#X obj 43 145 player~ dmach2;
#X obj 56 168 player~ dmach3;
#X obj 81 195 player~ dmach4;
#X obj 117 381 outlet~;
#N canvas 509 23 498 587 bass-synth 0;
#X obj 396 334 adsr~;
#X obj 304 369 *~;
#X obj 127 544 outlet~;
#X obj 117 18 inlet~;
#X obj 183 20 inlet~;
#X obj 128 513 *~ 0;
#X floatatom 347 387 5 0 0 0 - - -, f 5;
#X obj 285 198 +~ 1400;
#X obj 285 177 *~ 1000;
#X obj 284 156 osc~ 0.25;
#X obj 278 422 vcf~ 4;
#X obj 349 422 r bassgain;
#X floatatom 350 445 5 0 0 0 - - -, f 5;
#X obj 247 334 distortion~ 0.1 0.2;
#X floatatom 311 285 5 0 0 0 - - -, f 5;
#X floatatom 375 285 5 0 0 0 - - -, f 5;
#X obj 52 131 oscil~ 440 8192 square 4;
#X obj 237 131 oscil~ 440 8192 buzz 16;
#X obj 358 49 osc~ 5;
#X obj 346 80 *~ 0.005;
#X obj 305 95 +~;
#X obj 285 61 sig~ 1;
#X obj 56 76 *~;
#N canvas 0 22 462 312 init 0;
#X obj 97 195 outlet;
#X obj 106 221 outlet;
#X obj 158 231 outlet;
#X obj 137 137 unpack f f;
#X obj 149 29 loadbang;
#X msg 83 147 4;
#X msg 149 109 0.025 0.05;
#X msg 205 194 10 30 600 100;
#X obj 209 235 outlet;
#X connect 3 0 1 0;
#X connect 3 1 2 0;
#X connect 4 0 6 0;
#X connect 4 0 5 0;
#X connect 4 0 7 0;
#X connect 5 0 0 0;
#X connect 6 0 3 0;
#X connect 7 0 8 0;
#X restore 352 247 pd init;
#X obj 230 60 *~ 0.5;
#X obj 118 462 distortion~;
#X floatatom 90 378 5 0 0 0 - - -, f 5;
#X floatatom 154 378 5 0 0 0 - - -, f 5;
#N canvas 0 22 466 316 init 0;
#X obj 106 221 outlet;
#X obj 158 231 outlet;
#X obj 137 137 unpack f f;
#X obj 149 29 loadbang;
#X msg 149 109 0.1 0.3;
#X connect 2 0 0 0;
#X connect 2 1 1 0;
#X connect 3 0 4 0;
#X connect 4 0 2 0;
#X restore 131 340 pd init;
#X obj 121 483 lop~ 3000;
#X floatatom 227 474 5 0 0 0 - - -, f 5;
#X obj 24 448 osc~;
#X obj 94 313 *~ 0.5;
#X msg 150 293 0.666;
#X obj 27 482 *~ 0.2;
#X msg 103 262 0.5;
#X msg 144 261 0.25;
#X obj 316 499 loadbang;
#X msg 316 520 1;
#X obj 315 544 s s_bassgain;
#X connect 0 0 1 1;
#X connect 1 0 10 0;
#X connect 3 0 0 0;
#X connect 4 0 22 0;
#X connect 4 0 24 0;
#X connect 5 0 2 0;
#X connect 6 0 10 2;
#X connect 7 0 10 1;
#X connect 8 0 7 0;
#X connect 9 0 8 0;
#X connect 10 0 25 0;
#X connect 11 0 12 0;
#X connect 12 0 5 1;
#X connect 13 0 1 0;
#X connect 14 0 13 1;
#X connect 15 0 13 2;
#X connect 16 0 13 0;
#X connect 17 0 13 0;
#X connect 18 0 19 0;
#X connect 19 0 20 1;
#X connect 20 0 22 1;
#X connect 21 0 20 0;
#X connect 22 0 16 0;
#X connect 22 0 32 0;
#X connect 23 0 6 0;
#X connect 23 1 14 0;
#X connect 23 2 15 0;
#X connect 23 3 0 0;
#X connect 24 0 17 0;
#X connect 25 0 29 0;
#X connect 26 0 25 1;
#X connect 27 0 25 2;
#X connect 28 0 26 0;
#X connect 28 1 27 0;
#X connect 29 0 5 0;
#X connect 30 0 29 1;
#X connect 31 0 34 0;
#X connect 32 0 31 0;
#X connect 33 0 32 1;
#X connect 34 0 5 0;
#X connect 35 0 32 1;
#X connect 36 0 32 1;
#X connect 37 0 38 0;
#X connect 38 0 39 0;
#X restore 238 224 pd bass-synth;
#N canvas 215 196 532 615 load-waveforms 0;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach1 21988 float 2;
#X coords 0 1 21988 -1 30 20 1;
#X restore 100 20 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach2 25652 float 2;
#X coords 0 1 25652 -1 30 20 1;
#X restore 100 60 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach3 11171 float 2;
#X coords 0 1 11171 -1 30 20 1;
#X restore 181 20 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach4 9284 float 2;
#X coords 0 1 9284 -1 30 20 1;
#X restore 181 60 graph;
#X obj 18 408 soundfiler;
#X obj 14 77 loadbang;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach5 42964 float 2;
#X coords 0 1 42964 -1 30 20 1;
#X restore 252 22 graph;
#X obj 14 103 t b b b b b b b b;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach6 44614 float 2;
#X coords 0 1 44614 -1 30 20 1;
#X restore 253 61 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach7 9097 float 2;
#X coords 0 1 9097 -1 30 20 1;
#X restore 317 23 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array dmach8 10741 float 2;
#X coords 0 1 10741 -1 30 20 1;
#X restore 319 59 graph;
#X obj 32 50 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X msg 165 137 read -resize sound/BT0AADA.aiff dmach1;
#X msg 196 156 read -resize sound/trickhit.aif dmach2;
#X msg 229 176 read -resize sound/hi_o_15g.aiff dmach3;
#X msg 240 202 read -resize sound/KR55SNAR.aiff dmach4;
#X msg 255 240 read -resize sound/soda-bd.aif dmach5;
#X msg 267 282 read -resize sound/BD0010.aif dmach6;
#X msg 257 338 read -resize sound/hi_c_12b.aiff dmach7;
#X msg 262 358 read -resize sound/CP.aif dmach8;
#X connect 5 0 7 0;
#X connect 7 0 12 0;
#X connect 7 1 13 0;
#X connect 7 2 14 0;
#X connect 7 3 15 0;
#X connect 7 4 16 0;
#X connect 7 5 17 0;
#X connect 7 6 18 0;
#X connect 7 7 19 0;
#X connect 11 0 7 0;
#X connect 12 0 4 0;
#X connect 13 0 4 0;
#X connect 14 0 4 0;
#X connect 15 0 4 0;
#X connect 16 0 4 0;
#X connect 17 0 4 0;
#X connect 18 0 4 0;
#X connect 19 0 4 0;
#X restore 940 21 pd load-waveforms;
#X msg 113 18 static_increment 1;
#X obj 113 -2 loadbang;
#X obj 694 51 inlet~;
#X obj 760 51 inlet~;
#X obj 826 51 inlet~;
#X obj 892 51 inlet~;
#X obj 959 50 inlet~;
#X obj 1025 50 inlet~;
#X obj 363 240 player~ dmach5;
#X obj 1085 49 inlet~;
#X obj 1151 49 inlet~;
#X obj 462 264 player~ dmach6;
#X obj 573 264 player~ dmach7;
#X obj 681 266 player~ dmach8;
#X obj 890 282 snapshot~;
#X obj 1008 253 metro 150;
#X msg 1029 222 1;
#X floatatom 905 313 5 0 0 0 - - -, f 5;
#N canvas 172 230 208 286 assignments 0;
#X text 41 123 4 bassline;
#X text 41 25 0 bassdrum;
#X text 41 48 1 trick hit;
#X text 41 73 2 open hihat;
#X text 41 98 3 snare drum;
#X text 41 148 5 soda bd;
#X text 41 173 6 808 bd;
#X text 41 198 7 closed hihat;
#X text 41 223 8 claps;
#X restore 471 407 pd assignments;
#X connect 0 0 10 0;
#X connect 1 0 10 1;
#X connect 2 0 11 0;
#X connect 3 0 11 1;
#X connect 4 0 12 0;
#X connect 5 0 12 1;
#X connect 6 0 13 0;
#X connect 7 0 13 1;
#X connect 8 0 15 0;
#X connect 9 0 15 1;
#X connect 10 0 14 0;
#X connect 11 0 14 0;
#X connect 12 0 14 0;
#X connect 13 0 14 0;
#X connect 15 0 14 0;
#X connect 17 0 10 0;
#X connect 17 0 11 0;
#X connect 17 0 12 0;
#X connect 17 0 13 0;
#X connect 17 0 25 0;
#X connect 17 0 28 0;
#X connect 17 0 29 0;
#X connect 17 0 30 0;
#X connect 18 0 17 0;
#X connect 19 0 25 0;
#X connect 20 0 25 1;
#X connect 21 0 28 0;
#X connect 22 0 28 1;
#X connect 23 0 29 0;
#X connect 24 0 29 1;
#X connect 25 0 14 0;
#X connect 26 0 30 0;
#X connect 27 0 30 1;
#X connect 27 0 31 0;
#X connect 28 0 14 0;
#X connect 29 0 14 0;
#X connect 30 0 14 0;
#X connect 31 0 34 0;
#X connect 32 0 31 0;
#X connect 33 0 32 0;
#X restore 24 182 pd playback, f 26;
#N canvas 515 23 653 793 pattern-tutorial 0;
#X text 31 19 You can build up patterns 1 line at a time. Here's how.
;
#X text 16 62 1 make sure the sequencer is off;
#X obj 31 116 s dmach-msgs;
#X msg 32 91 nosequence;
#X text 21 149 2 Define the bar. First number is the bar number. Second
number is the quarternote count. 4 would be 4/4. 3 would be 3/4. 3.5
would be 7/8. Since you can use any fraction you like there is considerable
time flexibility.;
#X msg 26 213 store 5 4;
#X text 103 215 put a 4/4 into bar number 5;
#X obj 26 241 s dmach-msgs;
#X text 27 285 3 Write your bass drum part - 4 on the floor in this
case.;
#X msg 34 324 slotamps 5 6 4 1 0.7 0.7 0.7;
#X obj 34 349 s dmach-msgs;
#X obj 38 496 s dmach-msgs;
#X msg 38 471 slotamps 5 3 8 0 0 1 0 0 0 0 1;
#X obj 38 598 s dmach-msgs;
#X msg 38 564 slotamps 5 7 16 1 0.5 0.7 0 1 0.5 0.7 0 1 0.5 0.7 0.9
1 0 0.7 0.7;
#X obj 42 690 s dmach-msgs;
#X text 38 629 6 Now we'll add a line with pitch variation. First we
write the rhythm.;
#X text 44 721 Here's the interval pattern:;
#X obj 38 786 s dmach-msgs;
#X text 132 783 after the bar number and slot \, we give one transposition
value for each attack;
#X obj 40 903 s dmach-msgs;
#X msg 40 878 slotamps 5 2 10 1 0.7 0.7 0.7 0.7 1 0.7 0.7 1 0.7;
#X msg 38 761 slotincrs 5 1 0.8333 1 0.8333 1.25 1 1.11;
#X msg 42 665 slotamps 5 1 8 1 0 1 0.7 0 1 1 0.7;
#X text 42 933 8 We'll emphasize the pattern with transposition;
#X obj 45 982 s dmach-msgs;
#X obj 49 1061 s dmach-msgs;
#X msg 49 1036 slotamps 5 8 8 0 0 1 0 0 1 0 0.8;
#X obj 50 1195 s dmach-msgs;
#X msg 49 1142 slotincrs 5 4 150 133 125 133;
#X msg 269 1143 slotamps 5 4 4 1 1 1 1;
#X obj 220 1115 t b b;
#X obj 221 1089 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
-1 -1;
#X text 36 444 4 Now let's add a snare part.;
#X text 35 378 The arguments are: bar number \, slot number (in this
patch slot 6 is driving a bass drum) \, bar subdivision (this must
be an integer) and an attack pattern with numbers corresponding to
amplitude (zero of course is a rest).;
#X text 38 847 7 Let's add some quintuplet cymbals.;
#X text 43 1005 9 A couple claps.;
#X text 45 1089 10 Finally a bass line.;
#X text 164 1186 Note the order of messaging. A slotamps message sets
all its increments to 1 so the slotincrs message must come after it.
;
#X text 36 528 5 Add the hihat fill.;
#X msg 44 957 slotincrs 5 2 1.1 0.8 0.8 0.8 0.8 1 0.8 0.8 1.2 0.8;
#X text 47 1252 If you want to effect more complex subdivisions of
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#X connect 5 0 7 0;
#X connect 9 0 10 0;
#X connect 12 0 11 0;
#X connect 14 0 13 0;
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#X text 215 205 pattern downbeat;
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#X msg 218 97 recall \$1;
#X msg 219 41 0;
#X msg 256 41 1;
#X msg 300 97 nosequence;
#X msg 299 41 2;
#X msg 335 41 3;
#X msg 373 41 4;
#X msg 195 193 loopsequence 0 0 0 1 0 0 1 1 2 2 2 2 3 0 0 0 0 3 3 4
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#X obj 195 148 loadbang;
#X msg 11 203 playsequence 3 4 3 4;
#X text 11 175 play one time only;
#X text 337 73 select a stored pattern;
#X text 283 170 loop a pattern sequence;
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#X obj 218 73 t f b;
#X text 170 252 another sequence;
#X text 378 98 this turns off sequencer mode;
#X msg 152 267 loopsequence 1 1 1 3 1 1 4 6 4 6 6 3 4 1 1 1 6 6 6 6
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#X obj 195 169 delay 100;
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#X msg 439 41 6;
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#X msg 142 78 listraw 0;
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#X msg 252 211 slotamps 0 3 4 0 1 0 1;
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#X msg 155 511 slotincrs 0 5 1.05 1.05 1 0.9;
#X msg 424 225 slotamps 0 3 16 0 0 0 0 1 1 0 1 1 0 0.5 0.7 0.9 1 1
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#X obj 162 435 t b b;
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#X msg 5 448 slotamps 1 4 14 1 0 0 1 1 1 1 0 1 1 1 1 1 0;
#X msg 6 427 slotincrs 1 4 80 90 300 120 600 70 111 131 210 60;
#X msg 398 249 slotamps 1 8 7 0 1 0.7 0 1 0.7 0;
#X msg 272 92 slotamps 1 1 0 0 0 1 0 1 0 1;
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#X obj 359 189 t b b;
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#X obj 184 43 t b b b b b b;
#X text 314 111 A bar with 10 triplets (hard to notate!);
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#X text 271 63 print ptn 0;
#X text 85 60 send ptn 0 to list outlet;
#X text 11 12 pattern assembly;
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#X msg 67 259 slotamps 6 7 13 0 0 1 1 0 1 1 0 1 1 0 1 1.3;
#X msg 149 191 slotamps 6 5 13 0 0 0 0 1 0 0 0 0 0 0 0 1.2;
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#X text 573 9 13/16 bar;
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